Teenage MC Kitty Pryde is what happens when you give Ellen Paige’s Juno the mic. A brilliant mix of self-awareness wrapped in a protective blanket of pop-culture name-dropping and self-obsession. This song reveals more about teenage girls in 2012 than any social network, vampire novel or magazine article.
I’ve written about my love for Grimes in the past, so I’ve been easing off a little with the release of her latest, most excellent album Visions. However I felt compelled to post this latest video for the track “Oblivion” because it’s the first time we get to see Grimes, aka Claire Boucher acting playful and more or less being herself in a sense.
In previous vids, Boucher comes across as aloof and mysterious, which is part of what has made her so appealing – we don’t just want more of her music, we want more of her. With “Oblivion” she gives it to us, but just enough to satiate our appetites. The scenes in the sports stadiums are the most off-the-cuff, while the staged scenes with the buffed up body-builders and the jarhead football fans reinforce her mysteriousness and power.
Boucher and director Emily Kai Bock sat down with Pitchfork to discuss the clip for P4K’s Director’s Cut. Check out “Oblivion” below.
Nardwuar the Human Serviette is well known for his off-the-wall interviews, but dude’s also in a long-running band called the Evaporators who have just dropped a new video for their song “I Hate Being Late (When I’m Early) featuring none other than professional party starter (and Nardwuar superfan) Andrew W.K.
The video was shot at Vancouver college radio station CITR at UBC where Nardwuar hosts a program on Fridays. He even gives a shout out to former music director Luke Meat and a number of bands including Needles//Pins and features a ripping guitar solo from New Pornographers member and the “JC” in “JC/DC Studios” John Collins, who’s played with Mr. the Human Serviette for years. Admittedly, the song isn’t the best, but it’s a nice reminder of my hometown and where I got my start in community radio.
I’ve been listening to Sacramento hardcore band Trash Talk a lot lately, especially their awesome 5-song Awake EP. A lot of people that don’t normally dig this kind of music like this band, so real HC fans probably hate them, but whaddayagonnado?
Anyway, this animated clip for their track “Slander” is pretty awesome. Is it pro whacked-out acid trips or against them? We might never know, but I think everyone can agree that waking up to a dude peeing on your heading is always a bit alarming.
Kathryn Calder turned a lot of heads with her own change of direction on sophomore outing Bright and Vivid. Second single “Turn a Light On” gets a rustic video treatment courtesy of Vancouver filmmakers Leif Parker and Geoffrey Tomlin-Hood, who helped bring to life the video for “C’Mon Sea Legs” by Calder’s old band Immaculate Machine. Check the scenery below.
You know those moments on the Office when Stanley looks up from his cross words to express displeasure in whatever tomfoolery is happening around him, or the asides where he lets us in on his view of the world? Man, those are great. This video is five minutes and seventeen seconds of that.
I’ve written a lot about Haligonian Rich Aucoin over the years, most prominently in last month’s issue of Exclaim! Some might accuse me of boosterism – and that would be fair – but in my defence, he’s just a hard guy to dislike.
Anyway, rather than go on about Aucoin, his live show, and his new full-length We’re All Dying to Live, I’ll just say watch the video below for his track “It.” You won’t regret it.
Beavis and Butt-Head always seemed destined to be a ’90s relic. Few pieces of media from that decade were able to capture the Gen X zeitgeist so perfectly. Perhaps its because while the characters – two slacker friends who spend the majority of their time parked in front of the television taking the piss out of whatever happens to be on – had the stereotypical look and attitude of teens at the time, their actions and, most importantly the comments they made while watching music videos were shockingly cutting and insightful.
So it’s surprising then to discover that not only is the show making a return to the airwaves, but it’s also as funny, if not funnier than I remember the show being. Check out the sneak-preview – which includes a shot of Stewart, still rocking his Winger tee, as well as the duo’s take on Jersey Shore – below.
We’ve known for quite sometime that J Mascis was capable of more delicate musicianship than the fuzzed-out bombast of his guitar histrionics in Dinosaur Jr., but we rarely get a chance to hear the alt.rock legend unencumbered from some form of backing band.
Freed from the guitar squalls that accompany his day job, Several Shades Of Why offers a rare glimpse into Mascis’s soul, since we can actually hear him emoting in his singing. Though he’s invited several high-profile guests to help out, including current muse/sideman Kurt Vile, Broken Social Scene’s Kevin Drew and Sophie Trudeau of Godspeed/Thee Silver Mt. Zion fame, there’s not a drummer in the bunch. Instead, these guests help bring Mascis’s stark acoustic numbers to life while keeping his laconic drawl front and centre.
Each of these songs could have sat comfortably on the next Dinosaur record. But rather than offer another blast of thundering alt.rock (and don’t get me wrong, I’m very excited for that next blast) Mascis cleverly flipped the script while offering a different piece of himself. And despite his lengthy run in the biz, that’s a seldom-heard treat.
Stalk me!