Archive for the ‘ Rants & Raves ’ Category

Visual Rule #1

Always

Sometimes

Never

NXNE 2012 Photo Gallery

Incoming: the Dirty Nil – “Summer Mixtape”

Last year, Dundas, ON rockers the Dirty Nil dropped the pretty rad single “Fuckin’ Up Young” backed by the equally awesome “Verona Lung.”

Now, after impressing with appearances at Canadian Music Week and NXNE,  the boys are back with a new 4-track summer mixtape, which they’re offering up for free via their Bandcamp page.

The mixtape includes the aforementioned “Fuckin’ Up Young,” for which they shot a video which you can watch below. It also includes three new tracks.

In the press release for the mix, the band blame “drinking, playing shows, shooting guns, blowing shit up, breaking limbs, recording, skating, fireworks, drinking, eating french fries, forgetting things, movies, fighting each other, rock n roll, going to shows, and drinking” as the reasons behind the long gap between releases. Seems reasonable to me.

The mix is only available until Monday, September 24, after which it will “be gone forever.” The band’s next seven-inch drops the next day, September 25.

The band leave us with the parting words: “Remember to play the songs as LOUD as humanly possible!” Natch.

 

 

Paper Lions vs. Air Canada’s social media team – FIGHT!

I totally just stole this from the fine folks over at the Broken Speaker (who in turn got it from a Music Nova Scotia employee’s Twitter feed), but this really sums up what we’ve got to deal with up here in Canada when it comes to air travel. I think we can all sympathize with PEI’s Paper Lions on this one.

New Video: Kitty Pryde – “Okay Cupid”

Teenage MC Kitty Pryde is what happens when you give Ellen Paige’s Juno the mic. A brilliant mix of self-awareness wrapped in a protective blanket of pop-culture name-dropping and self-obsession. This song reveals more about teenage girls in 2012 than any social network, vampire novel or magazine article.

Stream: Hermetic – “Civilized City”

Given the recent reunion of Kingston via Halifax duo, the Inbreds, now seems as good a time as any to mention lo-fi indie pair Hermetic.

Like the Inbreds, and Winnipeg’s Duotang, Hermetic rock the high-end of the low-end, delivering some melodic bass lines along with their fuzzed up indie pop a la the mid-90s Halifax pop explosion spearheaded by Murder Records.

Made up of bassist- singer Eric Axen and drummer-singer Bart Newman, the pair have been playing together since 2007. Civilized City is their debut.

 

Incoming: California X – “Sucker” & “Mummy”

In case it hasn’t been made clear through some of my recent posts, I’ve been really digging the resurgence in interest in distorted, heavy guitars in underground circles. This shouldn’t come as much of a surprise, given that I grew up a riff-obsessed teenager in the 90s post-grunge distortion-a-thon.

But bands like the Men and now Amherst, MA’s California X harken back to the 80s American indie underground, as glorified by Michael Azzerad’s influential book, Our Band Could Be Your Life.

Their debut single “Sucker” an epic riff fest, was recorded by  Justin Pizzoferrato, who worked on both of Dinosaur Jr.’s post reunion albums Beyond and Farm and Sonic Youth’s The Eternal as well as Thurston Moore and J. Mascis’s recent solo albums. It’s out now on the Sounds of Sweet Nothing.

Check out “Sucker” and its B-side “Mummy” below.

“Sucker”

“Mummy”

New Video: Grimes – “Oblivion”

I’ve written about my love for Grimes in the past, so I’ve been easing off a little with the release of her latest, most excellent album Visions. However I felt compelled to post this latest video for the track “Oblivion” because it’s the first time we get to see Grimes, aka Claire Boucher acting playful and more or less being herself in a sense.

In previous vids, Boucher comes across as aloof and mysterious, which is part of what has made her so appealing – we don’t just want more of her music, we want more of her.  With “Oblivion” she gives it to us, but just enough to satiate our appetites. The scenes in the sports stadiums are the most off-the-cuff, while the staged scenes with the buffed up body-builders and the jarhead football fans reinforce her mysteriousness and power.

Boucher and director Emily Kai Bock sat down with Pitchfork to discuss the clip for P4K’s Director’s Cut. Check out “Oblivion” below.

Incoming: The Men – “Ex-Dreams”

Brooklyn’s The Men (not to be confused with Le Tigre-related band MEN) hit my radar sometime last year with their excellent sophomore release Leave Home, a record that blended the best bits of hardcore, psychedelia and general noise. So its no surprise that I’ve been eagerly anticipating their next album Open Your Heart. 

The title track hit the internet at the end of last month and revealed that the band had turned themselves into an SST loving punk act without losing their core identity. Now “Ex-Dreams” ups the anti further, wrapping the band in the swirling noise and catchy hooks of Hükser Dü’s Zen Arcade.

Open Your Heart drops March 6 on Sacred Bones.

 

Incoming: Moonlight Bride – “Lemonade”

Chattanooga, TN (yes, that’s a real place) crew Moonlight Bride have found a nice middle ground in the indie world walking a thin line between the slinky post-punk of Joy Division and the swirling shoegaze of My Bloody Valentine.

“Lemonade” is the first song released off the band’s forthcoming EP Twin Lake. On top of perfectly showcasing the band’s musical dichotomy it’s got a nice anthemic quality to it, and kind of feels like the soundtrack to a deleted  One Tree Hill Scene (in my world, this is a compliment).

Twin Lake is out  Feb. 28.