Archive for the ‘ Uncategorized ’ Category

Record Review: Mike Evin – "Good Watermelon"

coverAll right, it might seem lazy to say, seeing as he’s a pop singer that plays piano, but Mike Evin sounds a hell of a lot like Ben Folds. The voice, the clever lyrics and yes, the piano — you’d swear this was some aborted record from back when he was with the Five. And it’s not bad either. But what sets Good Watermelon apart is the way it was recorded. Evin gathered friends, including former Barenaked Lady Andy Creegan, and members of the Ideal Lovers collective in a Montreal studio, and recorded the whole damn thing live-off-the-floor. You can hear Evin calling out to his band and listen to the sounds bounce off the studio walls. It’s a major statement in a world where modern mixing and mastering techniques have sapped all the energy and spontaneity in music.

This review originally appeared at Exclaim.ca

Record Review: The Vines – "Melodia"

The Vines should have imploded years ago by all rights.

The Aussie group were thrust into the spotlight in 2002 after the music industry rediscovered rock. But fickle tastes and frontman Craig Nicholls’ erratic behaviour due to Asperger’s syndrome scuttled chances for long-term success in North America. So it’s pleasantly surprising to find the band not only still functioning, but knocking out high quality albums.

One listen to Melodia reveals the band haven’t exactly progressed from the garage-meets-grunge sound they sculpted on their Highly Evolved breakthrough debut, but even then they weren’t trying to break molds. The Vines’ strength always came from Nicholls’ mastery of the hook and the howl. Both of those things remain intact here.

Nicholls mines past glories for material (“Get Out” and “He’s A Rocker” sound suspiciously like “Outtathaway” and “Ride,” respectively). That the band bang out 14 songs in 32 minutes proves they know how not to wear out their welcome and is perhaps evidence as to their continued success.

This review originally appeared at Chartattack.com

“He’s A Rocker”

New Eels – "Fresh Blood"

Hallelujah, the man called E is back. Eels have a new album out via Vagrant Records on June 2 called Hombre Lobo (it means werewolf, cause werewolfs are the new vampires). That’s the album cover to the left.

I remember back when these guys were the toast of the critics  and the Wedge named “Novacane for the Soul” best video of the year. While that was about as big commercially as they ever got, they’ve never released a bum record. In fact they keep getting better.

The first single “Fresh Blood” is up at Spinner and their myspace page for your listening pleasure. Its a slinky, bass heavy number. Tell all your friends kids…

“Your Lucky Day In Hell”

“Last Stop This Town”

Record Review: Fever Ray – "S/T"

fever_ray-300x299Fever Ray is the debut solo album from Karin Dreijer Andersson, one-half of Swedish electro-pop duo The Knife. Andersson wrote the album’s 10 tracks over an eight-month period, at first working eight hours a day alone in her Stockholm apartment, then later bringing in Christoffer Berg and Van Rivers & The Subliminal Kid for assistance with production and mixing.

As The Knife’s readily identifiable voice, it’s difficult to separate Fever Ray from Andersson’s day job. But the aura of isolation from which these songs were sprung is all over the album as if it was the soundtrack for getting lost in the wilderness. Like fellow electro artists Burial and Salem, Fever Ray taps into the dark and brooding vibes of Tricky‘s Maxinquaye for inspiration, but not imitation. Fever Ray is prickly and cold to Tricky’s karmacoma haze.

Midpoint tracks “Seven” and “Triangle Walks” give listeners a chance to come up for air and are probably the most Silent Shout-esque tracks. But the reprieve is short-lived and Andersson quickly throws us back into the deep, murky depths.

This review originally appeared at Chartattack.com

“If I Had a Heart”

A Fully Loaded Road Trip

fully-loaded-2008Fully Loaded are a band on the brink.

The Vancouver quartet have worked tirelessly since they won a local radio contest in 2006. They’ve racked up music industry accolades, scored a Canadian Music Week showcase and just released their second EP, Inside My Head.

Fully Loaded have built a tremendous following in their home province and have toured to Winnipeg and back several times. But save a gig or two, including a CMW show last year, the eastern half of the country remains relatively unaware of the band.

Fully Loaded hope to change that this week when they take the stage at Toronto’s Tattoo Rock Parlour as part of a CMW showcase presented by booking giant The Agency Group.

The quartet didn’t want to leave anything to chance. They decamped from Vancouver two weeks ago and moved into a two-bedroom apartment in Toronto. The band plan to spend a month in Ontario running raids on nearby towns like London, Ont. and Peterborough, Ont., playing shows and trying to break into new markets. It’s all part of a strategy to conquer the province and start creating a national profile.

“Whatever works, we’re going to do it,” says bassist/singer Chris Ball.

That attitude sums up Fully Loaded’s modus operandi. They’re an independent band determined to make it. They speak very casually about “markets” and putting their “best foot forward.”

At the conclusion of our interview, lead singer/guitarist Mike Twining hands me his business card. On one side is his contact info, and on the other is a picture of the band standing in line, looking ready to take on the world.

“We really felt we needed to make a serious eastern connection,” explains Ball. “Each show we play is just the next step in the level of connections that we make.”

But Fully Loaded’s serious business-minded side is easily shaken — mentioning the Vancouver Canucks or defunct west coast punk bands seems to do the trick — and the image of calculating rock stars-in-waiting quickly melts away into a series of in-jokes and knowing laughter, no doubt the product of friendships that extend well past the group’s short lifespan.

Twining and his brother, guitarist/singer Andrew, formed the group one summer after Mike returned from university. They quickly recruited childhood friend Ball, and were introduced to their singly named drummer Jovan through a mutual friend.

Though Fully Loaded are busy hawking their new record, their performances continue to be their focus.

“We’re totally a live band,” says Andrew. “Touring is just a no-brainer for us.”

They say they’ve received positive feedback from their gigs in the area so far, and have managed to snag the opening slot for two shows with State Of Shock and Default this week.

“I think that Ontario is going to be a big part of our lives for a while now,” says Mike, “at least until the funds run out.”

This story originally appeared at Chartattack.com

if the music's loud enough… now on Facebook

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Oh the joys of blatant self-promotion.

if the music’s loud enough… now has a Facebook page. You can find it by searching “if the music’s loud enough,” and then you can become a fan, because if you’re reading this you probably already are, so why not let all your “friends” know through that convenient news feed. Do it… you know you want to…

While there’s not much there now, if the music’s loud enough’s Facebook page will (hopefully) be a place for site readers to post comments, share links and upload photos of all kinds of music-related nonesense.

You can become of fan of if the music’s loud enough… here.

My Big Fat Guilty Pleasure: Cobra Starship

In which I reveal the most embarrassing tracks found on my iPod.

As many of you may I have read, I saw Cobra Starship‘s show at the Opera House in November. I didn’t like it very much. In fact, I thought it was downright shit – all style, no substance. I stand by my assessment.

But in preparation for the gig I downloaded their two records and put them on my iPod, so by the time the show rolled around I would be somewhat familiar with their work. My summation of the show pretty much applied to both records as well so after I’d finished writing the review, I deleted them to make room for something, uhhhhh good. Except I kept getting two of their songs stuck in my head – “Snakes on a Plane” and “Send My Love to the Dancefloor, I’ll See You in Hell” to be exact. Something about those two tracks… I can’t stop listening to them. In fact I even listened to them today in between the Bouncing Souls and Kid Dynamite (I was feeling quite punk rawk this morning as I headed downtown to a temping job interview on Bay Street).

Here’s the thing. I know they’re bad. I would never defend them. The songs are just so unbelievably ridiculous – I can’t believe they even exist. There’s something about the way The Sounds‘ Maja Ivarrson sings “Oh, I’m ready for it…” that just kills me, and then Gabe Saporta bursts in with that big chorus “So kiss me goodbye!” And the whole thing is actually about their being snakes on the muthafuckin’ plane. Then there’s that J-Lo line in “Send My Love to the Dance Floor” – WTF?

Both songs are like these gangsta-punk dancefloor bangers, except they’re a complete joke and everybody’s in on it. I walk down the street listening to these with my chest puffed out and a giant, shit eating grin on my face. I HATE THEM, I HATE THEM, I HATE THEM. But I must…

“Snakes on a Plane”

“Send My Love to the Dance Floor, I’ll See You in Hell”

New Animal Collective video – "My Girls"

Will this video be on every music blog worth it’s weight in seven inches by the end of the day? Yes. Do I care? No.

Word on the street (of Toronto at least) is that vinyl copies of Merriweather Post Pavillion sold out on the first day the record went on sale and Animal Collective‘s label Domino won’t have represses out for another couple of weeks. Consequently, I haven’t bought the album yet, cause I’m holding out for the physical stuff. But I have heard quite a bit of the album online, all of it phenomenal. Like Vampire Weekend discovered last year it’s a long road to the end of 2009, so only time will tell if Merriweather can keep our attention and top year end lists. But it’ll be a fun ride with this banging on the speakers.

Photos: Besnard Lakes Live at Halifax Pop Explosion 2007

Live at the Marquee Club:

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Photos: Eric's Trip Live at Halifax Pop Explosion 2007

From their gig at the Marquee:

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